1 00:00:23,099 --> 00:00:24,560 Hello. Timothy Sandy. 2 00:00:27,660 --> 00:00:31,700 Mr. Cochran, have you read this story? 3 00:00:32,180 --> 00:00:33,180 Yeah. 4 00:00:35,220 --> 00:00:36,220 Did you like it? 5 00:00:36,360 --> 00:00:38,020 I'd rather not talk on the phone. 6 00:00:38,280 --> 00:00:39,360 Get out of my office immediately. 7 00:00:41,120 --> 00:00:43,280 Yes, sir. I can be right down there right away. Thank you. 8 00:00:44,560 --> 00:00:45,560 Who was that, hon? 9 00:00:47,080 --> 00:00:48,080 Big man. 10 00:00:48,600 --> 00:00:50,520 This is our hero, Timmy Sandy. 11 00:00:51,260 --> 00:00:52,300 I love this kid. 12 00:00:52,670 --> 00:00:58,130 He's ambitious, creative, a crusader, an idealist, but, God, he's so dumb. 13 00:00:58,830 --> 00:00:59,830 Can't believe it. 14 00:01:00,390 --> 00:01:02,170 He doesn't know what's waiting for him. 15 00:01:04,930 --> 00:01:07,290 He wants to see me down in the office immediately. 16 00:01:08,810 --> 00:01:11,710 Six months working on your script, and today you find out if it's all been 17 00:01:11,710 --> 00:01:12,710 worthwhile. 18 00:01:14,510 --> 00:01:16,090 I know it hasn't been easy for you. 19 00:01:17,530 --> 00:01:19,070 Working and me not bringing in a cent. 20 00:01:19,770 --> 00:01:20,930 That's the least of our worries. 21 00:01:21,360 --> 00:01:23,360 Just hope you don't make any more enemies with this one. 22 00:01:23,980 --> 00:01:26,880 I don't think I can take any more of those threatening letters or phone 23 00:01:28,200 --> 00:01:29,300 It's just fiction. 24 00:01:29,880 --> 00:01:30,880 A story. 25 00:01:31,360 --> 00:01:34,060 Sure, but some of those characters are pretty close to the truth. 26 00:01:35,280 --> 00:01:37,260 Sure hope you don't get sued, or worse. 27 00:01:41,280 --> 00:01:43,980 Fiction or non -fiction, it's a story that has to be told. 28 00:01:45,060 --> 00:01:48,780 Some official or petty agency see themselves in my story, that's their 29 00:01:49,460 --> 00:01:50,460 It's not mine. 30 00:01:54,100 --> 00:01:56,680 Great. Timmy, I wish you wouldn't leave the car parked in the driveway all 31 00:01:56,680 --> 00:01:58,020 night. You're only asking for trouble. 32 00:02:00,840 --> 00:02:02,840 I didn't sleep a wink last night. 33 00:02:03,500 --> 00:02:07,200 Now, if somebody's going to steal my car, I'm going to be the first to find 34 00:02:09,020 --> 00:02:10,020 I'm going to be late. 35 00:02:17,840 --> 00:02:19,180 Thanks for being so understanding. 36 00:02:21,580 --> 00:02:22,600 Aren't you forgetting something? 37 00:02:34,130 --> 00:02:38,770 Timmy, baby, so you want to make a movie? Hey, don't we all? 38 00:02:39,050 --> 00:02:42,910 It ain't easy, you know. I mean, sure, you've got a great idea, man. 39 00:02:43,310 --> 00:02:44,310 Who doesn't? 40 00:03:30,030 --> 00:03:31,030 Mr. Sandy. 41 00:03:31,310 --> 00:03:32,570 Oh, good morning, Adrian. 42 00:03:32,890 --> 00:03:34,250 Didn't see it happen again, eh? 43 00:03:34,550 --> 00:03:35,950 Yeah, stupid car. 44 00:03:36,290 --> 00:03:37,430 Would you like a ride downtown? 45 00:03:37,950 --> 00:03:40,090 Oh, I'd really like one. Would you mind? 46 00:03:40,370 --> 00:03:41,370 That's okay. 47 00:03:41,450 --> 00:03:46,730 Listen, I'm doing a sixth violin concerto with the symphony this Friday. 48 00:03:46,730 --> 00:03:47,730 you care for some tickets? 49 00:03:48,130 --> 00:03:50,890 Oh, I got to commit on a Friday night. I'm sorry, Adrian. 50 00:03:51,310 --> 00:03:52,310 Perhaps not. 51 00:04:05,380 --> 00:04:07,140 I'm Timothy Sandy. 52 00:04:08,020 --> 00:04:09,060 Don't make your iPhone. 53 00:04:20,170 --> 00:04:24,490 Well, that sweet little woman believes that her hero will fill the mast of 54 00:04:24,490 --> 00:04:30,550 these. She waits at home and lets him roll, but wonders never cease. Make it 55 00:04:30,550 --> 00:04:34,390 in good taste. Make it all in good taste. Make it all in good taste. Make 56 00:04:34,390 --> 00:04:35,349 in good taste. 57 00:04:35,350 --> 00:04:41,350 They say that the flavor is what you should save. Make it all in good taste. 58 00:04:41,430 --> 00:04:45,070 Make it all in good taste. Make it all in good taste. Make it all in good 59 00:05:10,440 --> 00:05:14,400 Because every good -looking blonde that you happen upon makes the bells go off 60 00:05:14,400 --> 00:05:15,359 in your head. 61 00:05:15,360 --> 00:05:19,520 And when she says her desire burns like a fire, you've got to talk business 62 00:05:19,520 --> 00:05:21,860 instead. Because you know what they say. 63 00:05:22,180 --> 00:05:25,740 Make it all in good taste. Make it all in good taste. Make it all in good 64 00:05:25,840 --> 00:05:31,600 They say that the flavor is what you should savor. Make it all in good taste. 65 00:05:31,600 --> 00:05:35,320 Make it all in good taste. Make it all in good taste. Make it all in good 66 00:05:35,740 --> 00:05:38,340 Oh, the man with ideas is the one with the con. 67 00:05:38,830 --> 00:05:40,230 Who never ever listens to you. 68 00:05:40,990 --> 00:05:45,130 He talks so sweetly. And buys you a pizza. And tells you what he wants you 69 00:05:45,130 --> 00:05:46,830 do. Make it all a good taste. 70 00:05:47,050 --> 00:05:50,530 Make it all a good taste. Make it all a good taste. Make it all a good taste. 71 00:05:51,110 --> 00:05:53,210 Make it all a good taste. 72 00:05:54,190 --> 00:05:55,470 Make it all a good taste. 73 00:05:55,870 --> 00:06:00,730 Make it all a good taste. Make it all a good taste. Make it all a good taste. 74 00:06:01,090 --> 00:06:03,810 When you talk to the money. Find that it's funny. 75 00:06:04,070 --> 00:06:05,610 They all talk culture and class. 76 00:06:06,170 --> 00:06:07,630 But when it comes to the dough. 77 00:06:08,000 --> 00:06:10,820 These guys say, no, if there ain't no skin, it's a path. 78 00:06:11,120 --> 00:06:14,720 Make it all in good taste. Make it all in good taste. Make it all in good 79 00:06:14,760 --> 00:06:16,020 Make it all in good taste. 80 00:06:16,920 --> 00:06:21,340 Good morning, United Pictures. 81 00:06:22,300 --> 00:06:23,300 No, Mr. 82 00:06:23,360 --> 00:06:24,360 Cochran isn't in. 83 00:06:24,980 --> 00:06:26,160 He's in Paraguay. 84 00:06:26,780 --> 00:06:28,640 No, I don't have the area code. 85 00:06:28,960 --> 00:06:30,540 Bye. Hi, Mr. 86 00:06:30,780 --> 00:06:32,620 Sandy. Can I take your code? 87 00:06:32,900 --> 00:06:34,660 Uh, uh, thanks. No. 88 00:06:38,640 --> 00:06:40,140 Where did you get that in the fire sale? 89 00:06:41,040 --> 00:06:44,660 I had a short in my coil and the wiring burned out. 90 00:06:47,600 --> 00:06:49,440 Oh, that sounds awful. 91 00:06:50,020 --> 00:06:52,040 You better do something about that. 92 00:06:54,620 --> 00:06:57,520 Oh, Mr. Cochran's expecting you. Go right in. 93 00:06:57,760 --> 00:06:58,760 Okay? 94 00:07:10,600 --> 00:07:11,600 Mr. Cochran? 95 00:07:12,320 --> 00:07:15,200 Oh, hi, Timmy. Good morning. Good morning. Sit down. Have a drink? 96 00:07:15,440 --> 00:07:17,520 No, thanks. I think it's a bit too early for me. 97 00:07:18,000 --> 00:07:19,000 You smell rubber? 98 00:07:19,700 --> 00:07:23,700 Uh, yeah, and my car exploded and the wiring. 99 00:07:24,720 --> 00:07:25,720 Did you like the script? 100 00:07:26,560 --> 00:07:27,560 No. 101 00:07:28,660 --> 00:07:29,900 No? No. 102 00:07:33,080 --> 00:07:34,100 I loved it. 103 00:07:35,320 --> 00:07:36,400 It's Oscar material. 104 00:07:37,200 --> 00:07:39,940 It's strong, it's dynamic, it's wonderful, it's real. 105 00:07:40,380 --> 00:07:41,580 But we're not going to do it. 106 00:07:43,600 --> 00:07:44,479 Not what? 107 00:07:44,480 --> 00:07:48,000 No, we need a smash box office hidden script, isn't it? 108 00:07:48,280 --> 00:07:49,300 But it's the truth. 109 00:07:49,920 --> 00:07:54,060 It's real. The only thing that's real nowadays is dollar bills. That's what's 110 00:07:54,060 --> 00:07:57,000 real. Well, no, it'll take the lid off the child placement agencies. 111 00:07:57,840 --> 00:08:00,080 Kids bought and sold. It's like white slavery. 112 00:08:00,480 --> 00:08:01,920 Yeah, look, research. 113 00:08:02,460 --> 00:08:07,130 I've got market research here. What the public wants now is more... Sex and 114 00:08:07,130 --> 00:08:09,690 violence and nudity and film, sweetheart. That's what sells. 115 00:08:10,890 --> 00:08:13,730 Maybe a rewrite. No, no. I don't think so. 116 00:08:14,550 --> 00:08:15,890 We could change the title. 117 00:08:16,110 --> 00:08:21,630 No, this thing wouldn't sell if you called it the orgies of the orphan 118 00:08:21,630 --> 00:08:28,530 Swedish orphans in rubber or sex secrets of Judy the orphan. 119 00:08:28,670 --> 00:08:29,670 That wouldn't help it either. 120 00:08:29,850 --> 00:08:30,729 I got it. 121 00:08:30,730 --> 00:08:34,429 The Ilsa's orphans meet the Danish cheerleaders. It wouldn't help. 122 00:08:40,110 --> 00:08:43,030 What we're going to do is put your script aside for a while. We've got 123 00:08:43,030 --> 00:08:48,050 more up your alley. We want you to do a film of the world stripping. 124 00:08:51,270 --> 00:08:55,090 Strippers. Girls that take their clothes off to make a living. I want the inside 125 00:08:55,090 --> 00:08:56,270 story. It'll be marvelous. 126 00:08:57,550 --> 00:09:00,370 Mr. Cochran, I know nothing of that. 127 00:09:00,750 --> 00:09:04,930 We gave you an advance on that film. Now I got my balls on the line. I need a 128 00:09:04,930 --> 00:09:07,130 story. I got pressure, man. 129 00:09:07,790 --> 00:09:10,030 I want you back here in two days with an outline. 130 00:09:10,390 --> 00:09:12,450 That's ridiculous. I mean, I wouldn't even know where to start. 131 00:09:13,610 --> 00:09:14,610 Oh. 132 00:09:15,770 --> 00:09:17,130 Bella. Good morning. 133 00:09:17,370 --> 00:09:18,109 Will you show Mr. 134 00:09:18,110 --> 00:09:19,470 Sandy that footage, please, sweetheart? 135 00:09:20,310 --> 00:09:23,290 Go and take a look at it. I'm sure it'll give you some ideas. 136 00:09:24,790 --> 00:09:25,790 Go on. 137 00:09:26,090 --> 00:09:27,090 Take a look at it. 138 00:09:28,690 --> 00:09:29,690 Go on. 139 00:09:31,070 --> 00:09:32,410 Go and take a look at it. 140 00:09:34,210 --> 00:09:35,210 It's show business. 141 00:09:36,490 --> 00:09:38,710 It's entertainment, baby. It's fun. 142 00:09:41,390 --> 00:09:44,890 Five minutes with Stella and he'll make any movie I ask him to. 143 00:09:45,970 --> 00:09:49,390 Hey, I gotta give Heff a call, man. I mean, this chick is fantastic. 144 00:09:51,610 --> 00:09:52,610 Till late. 145 00:09:53,190 --> 00:09:54,190 Brunette. 146 00:10:00,490 --> 00:10:01,490 Thank you. 147 00:10:26,760 --> 00:10:27,760 I had a good script. 148 00:10:28,980 --> 00:10:31,160 I don't understand. I just don't understand why. 149 00:10:31,540 --> 00:10:34,000 Hey, never mind. This will cheer you up. 150 00:11:38,510 --> 00:11:40,490 Listen, I think you've got to watch. 151 00:11:40,710 --> 00:11:41,649 I know. 152 00:11:41,650 --> 00:11:42,650 Okay. 153 00:11:43,490 --> 00:11:44,490 You're nice. 154 00:11:44,770 --> 00:11:45,770 Yeah, okay. 155 00:11:46,070 --> 00:11:47,890 No, no, maybe another time. 156 00:11:48,650 --> 00:11:49,650 No, 157 00:11:51,090 --> 00:11:54,810 I don't. I think maybe another time. That's it. 158 00:11:55,270 --> 00:11:56,270 No, 159 00:11:57,370 --> 00:12:02,270 no, maybe some other time. 160 00:12:02,630 --> 00:12:04,150 No, it's okay, Sog. 161 00:12:04,880 --> 00:12:06,420 No, I think we should watch this. 162 00:12:06,640 --> 00:12:08,660 I think of her as a reason. No, no. 163 00:12:08,960 --> 00:12:11,120 Behave yourself. Be a good girl. 164 00:12:11,760 --> 00:12:14,700 Stella. No. Stella, just be a good girl. 165 00:12:14,960 --> 00:12:15,960 Oh, 166 00:12:16,320 --> 00:12:17,940 that's okay. 167 00:12:20,700 --> 00:12:23,080 I see you really got turned on to the idea, Timmy. 168 00:12:32,980 --> 00:12:35,520 She said my script was... Dependence. 169 00:12:35,760 --> 00:12:38,400 Colossal. He loves it. After material. 170 00:12:38,860 --> 00:12:40,060 We're not going to do it. 171 00:12:40,340 --> 00:12:41,340 What? 172 00:12:41,760 --> 00:12:46,080 Today is just not my day. I'd probably flunk a telephone test for a free dance 173 00:12:46,080 --> 00:12:48,260 lesson. Oh, come on, honey. You're a good filmmaker. 174 00:12:48,580 --> 00:12:52,240 You've got the awards to prove it. I think it's absolutely disgusting that 175 00:12:52,240 --> 00:12:53,860 Cochran didn't buy your orphan story. 176 00:12:54,260 --> 00:12:55,320 He wouldn't even rent it. 177 00:12:55,700 --> 00:13:01,480 He wants me to film women who take their clothes off. 178 00:13:02,240 --> 00:13:06,870 Striptease. Naked women, naked bodies, writhing. He wants me to fly to 179 00:13:06,870 --> 00:13:08,610 Amsterdam, Rome, Paris. 180 00:13:10,770 --> 00:13:14,490 I wasn't going to do it the minute he mentioned it. 181 00:13:15,870 --> 00:13:17,790 But that still doesn't change it. 182 00:13:19,830 --> 00:13:22,810 The fact is I've got a good script and it's just been turned down. 183 00:13:26,110 --> 00:13:27,110 What am I going to do? 184 00:13:28,690 --> 00:13:29,690 Other producers. 185 00:13:30,970 --> 00:13:32,290 There must be other producers. 186 00:13:44,940 --> 00:13:47,320 Great, kid. It's dynamite. 187 00:13:47,620 --> 00:13:51,900 Timmy, I don't believe you, man. I mean, you start out with the last guy in the 188 00:13:51,900 --> 00:13:53,020 world who can help you. 189 00:13:53,560 --> 00:13:56,040 Jeez, the guy looks like a used car salesman. 190 00:13:56,240 --> 00:13:57,240 You really like it? 191 00:13:57,840 --> 00:13:59,340 Kid, it's sensational. 192 00:13:59,780 --> 00:14:00,880 It's magnificent. 193 00:14:01,740 --> 00:14:03,320 It's a masterpiece. 194 00:14:03,600 --> 00:14:04,700 You're a genius. 195 00:14:05,160 --> 00:14:06,820 I ordered double anchovies. 196 00:14:07,140 --> 00:14:08,140 Thank you. 197 00:14:08,260 --> 00:14:13,640 I've got two studios after it already. They're crawling to me. Kid, it leaps 198 00:14:13,640 --> 00:14:14,640 the pages. 199 00:14:14,860 --> 00:14:16,580 You mean there's a chance of it being produced? 200 00:14:17,340 --> 00:14:18,480 Practically signed already. 201 00:14:18,720 --> 00:14:20,120 There's a few minor changes. 202 00:14:20,460 --> 00:14:21,460 How many? 203 00:14:22,320 --> 00:14:28,080 Change the orphans to stewardesses. And the toy shop scene into a motorcycle 204 00:14:28,080 --> 00:14:31,580 gang rape. You know, lots of sex, nudity, a few murders. 205 00:14:32,080 --> 00:14:34,660 That might be a bit difficult. The plot? 206 00:14:34,860 --> 00:14:35,860 Nothing major. 207 00:14:35,980 --> 00:14:39,600 I want this to retain its cinematic integrity. 208 00:14:42,320 --> 00:14:43,320 Yeah. 209 00:14:59,899 --> 00:15:04,480 You hear the way she's talking to me? That's the way they speak to you. 210 00:15:05,300 --> 00:15:10,360 You and I are talking about a $7 million movie and $10 million more for a 211 00:15:10,360 --> 00:15:13,840 promotion, and she's making my life miserable for a measly six bucks. 212 00:15:14,700 --> 00:15:17,020 The whole world's gone money mad. 213 00:15:26,250 --> 00:15:27,330 But could you lend me six bucks? 214 00:15:27,930 --> 00:15:28,930 It's getting cold. 215 00:15:32,030 --> 00:15:34,410 Oh, give me another two dollars for the tip. Here, 216 00:15:50,470 --> 00:15:51,409 kid. 217 00:15:51,410 --> 00:15:52,410 Now, 218 00:15:54,330 --> 00:15:55,550 where was I? Oh, yeah. 219 00:15:56,000 --> 00:15:58,300 We're dealing with the big bucks here, kid. 220 00:15:58,620 --> 00:16:03,620 You gotta give the public what they want. When you're spending $17 million 221 00:16:03,620 --> 00:16:07,820 job, you gotta build in some guarantees. I mean, we're talking about Cannes 222 00:16:07,820 --> 00:16:12,140 Festival now. I go there every year. Oh, yeah, buying, selling films. 223 00:16:12,380 --> 00:16:14,760 We're dealing with the biggies, kid. 224 00:16:15,020 --> 00:16:18,820 You know where I spend most of my time now? Flying on the circuit, selling 225 00:16:18,820 --> 00:16:21,180 films. Rome, London, Berlin. 226 00:16:21,480 --> 00:16:26,320 The competition out there is murderous. But it's impossible to change the plot 227 00:16:26,320 --> 00:16:27,320 to that extent. 228 00:16:28,620 --> 00:16:30,260 Kid, nothing is impossible. 229 00:16:30,780 --> 00:16:31,940 Take my last picture. 230 00:16:32,180 --> 00:16:34,280 A smash hit at the box office. 231 00:16:35,040 --> 00:16:36,880 Terror at blood asylum. 232 00:16:37,320 --> 00:16:42,500 Oh, he had a garbage script about this painter called Van Gogh, made a few 233 00:16:42,500 --> 00:16:46,860 changes, and we grossed more in one week than Van Gogh ever made in his whole 234 00:16:46,860 --> 00:16:50,660 lifetime. I think I better just take the script and make some changes. No need 235 00:16:50,660 --> 00:16:52,720 to now. I've done it already myself. 236 00:16:53,160 --> 00:16:54,160 Now, let's see. 237 00:16:54,330 --> 00:16:56,830 You've got this orphan racket, right? 238 00:16:57,430 --> 00:16:58,430 Okay. 239 00:16:58,710 --> 00:17:02,470 It's run by the mob, and they own these baby farms, see? 240 00:17:02,750 --> 00:17:07,230 And they kidnap all these beautiful blonde chicks and get them all knocked 241 00:17:07,230 --> 00:17:08,230 down on the farm. 242 00:17:08,250 --> 00:17:13,890 Then they raise the kids in these phony foster homes, which also double as 243 00:17:13,890 --> 00:17:17,869 massage parlors, right? And there, they teach the kids the racket. 244 00:17:18,929 --> 00:17:23,530 They sell the kids to these rich folks who can't have any children. And when 245 00:17:23,530 --> 00:17:27,950 kids grow up, they knock off the parents and all the close relatives, inherit 246 00:17:27,950 --> 00:17:32,570 the steel mills, the oil wells, and give it back to the mob. 247 00:17:33,850 --> 00:17:34,850 That's awful. 248 00:17:35,430 --> 00:17:38,190 Oh, well, if you don't like the anchovies, you don't have to use it. 249 00:17:40,010 --> 00:17:41,770 Wait a minute. I got something to show you. 250 00:17:42,470 --> 00:17:43,810 Wait till you see this. 251 00:17:44,110 --> 00:17:47,710 These are some of the chicks that are going to play the stewardesses. 252 00:17:48,110 --> 00:17:53,250 Now, who's this for? Ah, this is Trixie, the stewardess. She balls all those old 253 00:17:53,250 --> 00:17:56,550 tycoons at first class and gives them heart attacks. 254 00:17:57,690 --> 00:18:00,230 Now, this, this is Wanda. 255 00:18:00,690 --> 00:18:04,210 She's a contortionist. You know, she bends over backwards, sticks her head 256 00:18:04,210 --> 00:18:05,510 through her legs, and eats a Big Mac. 257 00:18:05,930 --> 00:18:08,910 And this, this is Vivian. 258 00:18:09,210 --> 00:18:11,830 She can't act, but, boy, is she great at parties. 259 00:18:12,250 --> 00:18:14,850 And this, this is Susie. 260 00:18:15,820 --> 00:18:20,240 She had a great act with her sister. Wait a minute. I got something to show 261 00:18:20,340 --> 00:18:23,020 It's the piece de resistance. No, that's not you, dear. 262 00:18:23,400 --> 00:18:25,040 I'll get it in just a minute. 263 00:18:39,440 --> 00:18:40,440 That bum. 264 00:18:41,540 --> 00:18:43,240 He's gone and stole my idea. 265 00:19:06,090 --> 00:19:09,170 Every filmmaker's dream, finding his own investment group. 266 00:19:09,730 --> 00:19:10,730 I don't know, Jimmy. 267 00:19:10,930 --> 00:19:15,510 The trouble with investors, it's like going to the dentist, man, you know? I 268 00:19:15,510 --> 00:19:18,250 mean, you go through a lot of pain, and what do you got at the end of it? A 269 00:19:18,250 --> 00:19:21,250 smile. How do you do, Mr. Sandy? 270 00:19:21,530 --> 00:19:23,890 Nice to meet you, Miss Gordon. And this is Art Reynolds. 271 00:19:24,230 --> 00:19:25,390 We've just met ourselves. 272 00:19:25,850 --> 00:19:28,850 Art has been backing stage productions and movies. 273 00:19:29,550 --> 00:19:31,370 Mr. Sandy, I'm delighted. 274 00:19:32,690 --> 00:19:34,250 I loved your last film. 275 00:19:34,890 --> 00:19:36,770 Thank you. The critics were wrong. 276 00:19:37,850 --> 00:19:44,730 Yes. Well, let's get started. We have all read your script, and 277 00:19:44,730 --> 00:19:47,630 we were all agreed before you arrived. 278 00:19:47,990 --> 00:19:50,210 We are very impressed. 279 00:19:50,450 --> 00:19:57,390 It is the finest thing I've ever read. But we all feel that 280 00:19:57,390 --> 00:20:00,190 it doesn't go far enough. 281 00:20:00,650 --> 00:20:04,130 Exactly. It's too close to a mere expose. 282 00:20:04,810 --> 00:20:10,990 We feel that you can build the family tragedy with 283 00:20:10,990 --> 00:20:13,530 drunken parents, child beating. 284 00:20:13,890 --> 00:20:15,750 But all in good taste. 285 00:20:16,130 --> 00:20:22,390 The adopted child is being used to patch up a disintegrating marriage 286 00:20:22,390 --> 00:20:27,450 between... Between a female nude mud wrestler... With great cleavage. The 287 00:20:27,450 --> 00:20:29,210 wrestler, not the steeplejack. 288 00:20:30,540 --> 00:20:35,800 Or the father could be a homosexual schoolteacher. A refined and cultured 289 00:20:35,940 --> 00:20:36,879 of course. 290 00:20:36,880 --> 00:20:41,900 That scene on vacation, when the kid gets lost looking for his kitten, too 291 00:20:41,900 --> 00:20:44,020 idyllic. It needs drama. 292 00:20:45,600 --> 00:20:51,660 Make it a nude beach scene with lots of chesty, sexy women. Right. And the kid 293 00:20:51,660 --> 00:20:53,500 is looking for his pussy. 294 00:20:53,760 --> 00:20:59,860 And then he meets up with this thin fashion model. 295 00:21:00,430 --> 00:21:02,270 With big knockers. 296 00:21:02,470 --> 00:21:08,850 But tasteful. And she's into leather. Someone real and sensitive. 297 00:21:09,150 --> 00:21:11,090 Yes, it should be depraved and brutal. 298 00:21:11,930 --> 00:21:18,930 I can take some notes. But all in good taste. The kid's sister gets caught by 299 00:21:18,930 --> 00:21:24,130 a white trash farmer in the swamp. And he chains her up in the barn to be used 300 00:21:24,130 --> 00:21:25,190 by his... 301 00:21:25,500 --> 00:21:28,520 Fourteen kids who've never seen a woman. 302 00:21:29,260 --> 00:21:31,120 Handled delicately, of course. 303 00:21:31,460 --> 00:21:36,900 And then her mother takes her place to make up for all the years of frustration 304 00:21:36,900 --> 00:21:39,520 married to her gay hubby. 305 00:21:39,740 --> 00:21:44,960 Right. The father and sons are caught by a couple of escaped lifers from the pen 306 00:21:44,960 --> 00:21:47,400 and buggered in the forest. Tastefully. Hmm. 307 00:21:47,740 --> 00:21:49,420 Tastefully buggered. I love it already. 308 00:21:49,680 --> 00:21:51,540 Now, Mr. Sandy, you're the... 309 00:21:54,120 --> 00:21:55,120 He's gone. 310 00:21:55,680 --> 00:21:58,300 What the... Was he upset? 311 00:21:58,780 --> 00:22:01,840 We were only talking about a few minor changes. 312 00:22:10,240 --> 00:22:12,600 Ah, the banker. 313 00:22:13,860 --> 00:22:16,120 Timmy, you don't have any collateral. 314 00:22:16,520 --> 00:22:19,260 I think this banker is after your assets. 315 00:22:19,920 --> 00:22:22,940 He knows where to give credit, though. To himself. 316 00:22:24,360 --> 00:22:26,360 Did you get someone to appraise the script? 317 00:22:27,300 --> 00:22:30,600 No. When it comes to investing, I always trust myself. 318 00:22:31,340 --> 00:22:35,520 I've been with this corporation for 20 years, and I think I know what's good 319 00:22:35,520 --> 00:22:36,840 what's bad. 320 00:22:37,580 --> 00:22:38,580 You've read it, then? 321 00:22:39,080 --> 00:22:40,080 I did. 322 00:22:40,460 --> 00:22:45,180 Yes, indeed, I did. And, well, I'm going to be blunt with you. 323 00:22:47,660 --> 00:22:48,660 I like it. 324 00:22:49,180 --> 00:22:50,180 Great. 325 00:22:50,540 --> 00:22:55,260 My producer who works with me, he didn't like it. He wanted me to make a film 326 00:22:55,260 --> 00:22:56,780 about women taking their clothes off. 327 00:22:57,880 --> 00:22:58,880 Oh, my God. 328 00:22:59,320 --> 00:23:00,320 That's outrageous. 329 00:23:00,880 --> 00:23:02,200 A chap named Cochran? 330 00:23:02,460 --> 00:23:03,800 Yes. How did you know? 331 00:23:05,080 --> 00:23:06,360 It's my business to know. 332 00:23:07,300 --> 00:23:12,660 Imagine asking an award winner to do stuff like that. 333 00:23:13,540 --> 00:23:16,300 And I think your social comment is right on. 334 00:23:16,600 --> 00:23:19,600 Of course, there are some people who are going to be pretty upset. 335 00:23:20,080 --> 00:23:25,520 Your story and... Mr. Sandy, I like you. 336 00:23:27,080 --> 00:23:28,220 And I like your script. 337 00:23:29,020 --> 00:23:31,680 About the script, I wondered if I could look at it. There are just a couple 338 00:23:31,680 --> 00:23:33,140 of... Oh, son of a bitch. 339 00:23:33,940 --> 00:23:39,340 I'm terribly sorry, but I... I took it home to read and... 340 00:23:39,340 --> 00:23:45,300 Look, why don't you come to my place for supper? 341 00:23:45,900 --> 00:23:49,580 I... I don't usually like to discuss business at home, but... 342 00:23:50,160 --> 00:23:52,300 But with you, it'll be a pleasure. 343 00:23:54,360 --> 00:23:55,540 Thanks, Mr. Dixon. 344 00:23:58,280 --> 00:24:03,320 No, I can't. Thank you very, very much, Richard. 345 00:24:03,880 --> 00:24:06,400 That was an excellent meal. 346 00:24:06,780 --> 00:24:08,380 Thank you very much, Mr. Dixon. 347 00:24:08,660 --> 00:24:09,800 Just call me Buddy. 348 00:24:10,920 --> 00:24:11,920 Thanks, Buddy. 349 00:24:12,480 --> 00:24:13,480 Bottom it. 350 00:24:14,120 --> 00:24:17,840 Get Mr. Sandy some of our very best brandy. The Grand Prix. 351 00:24:20,240 --> 00:24:21,240 I couldn't possibly. 352 00:24:21,440 --> 00:24:22,720 Of course you could. 353 00:24:23,440 --> 00:24:27,640 And tonight I have a very, very special treat for you. Something I know you're 354 00:24:27,640 --> 00:24:28,640 going to like. 355 00:24:29,260 --> 00:24:30,260 Oh, 356 00:24:30,580 --> 00:24:32,480 I'm terribly sorry, sir. 357 00:24:32,780 --> 00:24:35,200 Butler, you clumsy old... That's okay. 358 00:24:35,400 --> 00:24:36,620 That was my fault. 359 00:24:37,120 --> 00:24:38,120 Don't worry. 360 00:24:38,380 --> 00:24:41,920 You just run along upstairs. 361 00:24:43,360 --> 00:24:44,360 There's a bedroom. 362 00:24:44,860 --> 00:24:46,060 Second door on the left. 363 00:24:47,000 --> 00:24:48,420 There's a bathroom in the closet. 364 00:24:50,410 --> 00:24:51,550 Give your trousers to Bottomley. 365 00:24:51,830 --> 00:24:53,070 We'll have them fixed in a jiffy. 366 00:24:53,890 --> 00:24:58,330 Why, there's no need. It's just a little damp. No, no, you'll catch your death. 367 00:24:59,430 --> 00:25:00,430 Run along, lad. 368 00:25:05,390 --> 00:25:07,130 I am terribly sorry, sir. 369 00:25:20,149 --> 00:25:23,150 Timothy! Ah, that looks better. 370 00:25:36,190 --> 00:25:37,970 Feeling more comfortable? 371 00:25:39,590 --> 00:25:42,030 Yes, thank you. Yeah, yeah, look great. 372 00:25:42,310 --> 00:25:43,310 Sit down there, boy. 373 00:25:44,070 --> 00:25:45,070 There you go. 374 00:25:45,810 --> 00:25:48,830 Right down there. Now, what I am going to show you tonight is... 375 00:25:49,230 --> 00:25:52,390 Oh, boy, it is quite, quite remarkable. 376 00:25:53,630 --> 00:25:54,690 Waddley, lights. 377 00:27:26,889 --> 00:27:29,690 Thank you. 378 00:28:02,440 --> 00:28:03,440 Hi there. 379 00:28:08,660 --> 00:28:11,860 I just thought I'd slip into something a little more comfortable. 380 00:28:13,460 --> 00:28:18,780 Didn't you just adore those wonderful, wonderful boys? 381 00:28:21,300 --> 00:28:23,140 And those women in the audience. 382 00:28:24,920 --> 00:28:28,260 Weren't they absolutely hideous? 383 00:28:31,740 --> 00:28:32,740 Animals? 384 00:28:34,760 --> 00:28:41,360 I think you might be 385 00:28:41,360 --> 00:28:44,120 mistaken. Now, now, Timmy, baby. 386 00:28:44,880 --> 00:28:46,140 Don't play games with me. 387 00:28:46,820 --> 00:28:49,620 You know, you're going to get it in the end. 388 00:28:50,180 --> 00:28:53,380 What did you have in mind, sir? 389 00:28:53,760 --> 00:29:00,140 Be good. You want me to invest in your firm, don't you? 390 00:29:00,600 --> 00:29:01,820 I'm having second thoughts. 391 00:29:02,140 --> 00:29:03,140 Ah, ah. 392 00:29:03,440 --> 00:29:04,600 Then there's still hope. 393 00:29:07,100 --> 00:29:11,560 Look it. Take your money and shove it. 394 00:29:21,900 --> 00:29:22,900 Autumn Lee. 395 00:29:25,060 --> 00:29:26,080 Coming, sir. 396 00:29:55,399 --> 00:29:56,660 Did you read my script? 397 00:29:57,040 --> 00:30:01,840 Kid, it's dynamite. Hey, kid, you're a genius. We could add in the sweat T 398 00:30:01,840 --> 00:30:06,120 -shirt contest, and I've got this great idea for a scene shot in a giant 399 00:30:06,120 --> 00:30:10,820 jacuzzi. Hey, we could, like, shoot it overhead, like an Esther Williams thing. 400 00:30:13,300 --> 00:30:15,140 Yeah, it's about time. 401 00:30:24,720 --> 00:30:27,620 Ask him if he takes Diners or American Express. 402 00:30:32,280 --> 00:30:35,440 Hey, I hate to do this, kid, but can you lend me six bucks? 403 00:30:39,660 --> 00:30:43,520 What's real nowadays is cash money in the register. That's what's real. 404 00:30:43,840 --> 00:30:45,880 What we're talking about here is the big box. 405 00:30:46,560 --> 00:30:50,860 Nothing major. It's practically already signed. 406 00:30:51,780 --> 00:30:53,120 It's got to be a few miles. 407 00:30:53,420 --> 00:30:54,420 We're not going to do it. 408 00:31:13,920 --> 00:31:14,920 I mean, 409 00:31:19,860 --> 00:31:21,640 I've got pressure, man. I need a story. 410 00:31:24,880 --> 00:31:25,880 getting a script, isn't it? 411 00:31:32,960 --> 00:31:35,060 Was there anything I can do for you? 412 00:31:36,280 --> 00:31:38,820 You're going to do that stripper film for Mr. Cochran, aren't you? 413 00:31:39,680 --> 00:31:41,240 But you've got to do it. 414 00:31:41,600 --> 00:31:45,020 I mean, I've booked all the flights, your hotel's booked, you've got to go, 415 00:31:45,020 --> 00:31:46,020 it's all arranged. 416 00:31:46,780 --> 00:31:47,780 What's arranged? 417 00:31:48,100 --> 00:31:49,780 You must go, yes. 418 00:31:53,610 --> 00:31:55,130 You're leaving a week Thursday. 419 00:32:06,370 --> 00:32:09,390 Timmy, glad to see you. Come on in. Have a drink. 420 00:32:10,730 --> 00:32:13,230 What's this about me flying off a week Thursday? 421 00:32:13,570 --> 00:32:17,910 I have no intention of doing your film, okay? I've had stripping, sex, and 422 00:32:17,910 --> 00:32:19,390 sordid plots up to here. 423 00:32:20,630 --> 00:32:21,630 Calm down. 424 00:32:22,030 --> 00:32:23,019 Sit down. 425 00:32:23,020 --> 00:32:24,640 Come on. 426 00:32:25,480 --> 00:32:30,340 Listen. This is not a sordid project, sweetheart. 427 00:32:30,940 --> 00:32:37,020 This is a legitimate film about real people making a living. 428 00:32:37,360 --> 00:32:40,460 It's not obscene. Come on. 429 00:32:40,980 --> 00:32:42,080 What's the matter? 430 00:32:42,780 --> 00:32:44,760 It's show business. 431 00:32:45,080 --> 00:32:47,460 It's entertainment. It's fun. 432 00:32:47,720 --> 00:32:48,720 Come on. 433 00:32:49,220 --> 00:32:51,760 Besides, you've got no choice. 434 00:32:52,490 --> 00:32:54,170 No choice? What do you mean, no choice? 435 00:32:54,610 --> 00:32:58,830 You see, when we gave you that advance and you agreed to do that orphan film, 436 00:32:58,830 --> 00:33:00,310 was for an untitled project. 437 00:33:01,910 --> 00:33:05,930 And what I've done is filled in the title. And it appears as though you've 438 00:33:05,930 --> 00:33:09,350 agreed to make a film called Mondo Strip. 439 00:33:11,430 --> 00:33:15,050 Sorry, baby, it appears as though we got you over a... Bunch of naked women is 440 00:33:15,050 --> 00:33:16,050 what I'm over. 441 00:33:17,610 --> 00:33:18,790 You can't threaten me. 442 00:33:20,650 --> 00:33:21,650 What if I say no? 443 00:33:22,570 --> 00:33:23,570 Well, sue. 444 00:33:23,590 --> 00:33:24,590 So sue me. 445 00:33:24,770 --> 00:33:25,930 Or even worse. 446 00:33:26,190 --> 00:33:27,190 Worse what worse? 447 00:33:27,270 --> 00:33:30,330 Tell your wife about you and Stella. That's all. 448 00:33:30,870 --> 00:33:31,970 My wife. 449 00:33:32,490 --> 00:33:35,410 What am I going to tell her? 450 00:33:36,030 --> 00:33:41,030 I'm off to visit the sex capitals of the world, filming women taking their 451 00:33:41,030 --> 00:33:42,030 clothes off. 452 00:33:43,230 --> 00:33:46,510 Yeah, that could be a little bit tricky. 453 00:33:47,630 --> 00:33:48,970 I'll call her for you. 454 00:33:49,230 --> 00:33:51,130 No, thanks very much. 455 00:33:54,510 --> 00:33:56,550 Thanks a lot, buddy. I'll tell her myself. 456 00:33:56,790 --> 00:33:57,850 My own time. 457 00:33:58,730 --> 00:34:00,510 You're a pro. I'm sure she'll understand. 458 00:34:01,030 --> 00:34:02,890 Yeah, sure, sure she'll understand. 459 00:34:03,390 --> 00:34:06,970 You got any idea about a plot for this epic? 460 00:34:08,170 --> 00:34:10,770 Shouldn't be too difficult for a guy like you. I mean, if you could write a 461 00:34:10,770 --> 00:34:15,330 script for kids without parents, I'm sure that you could write about girls 462 00:34:15,330 --> 00:34:16,330 no clothes. 463 00:34:16,489 --> 00:34:18,830 Come on, you got some time. Take in the scene. 464 00:34:19,170 --> 00:34:20,909 Talk to the people in the business. 465 00:34:21,860 --> 00:34:25,440 Um, I'll have Stella run some footage for you. No, thanks. 466 00:34:25,960 --> 00:34:27,060 I'll do it myself. 467 00:34:27,820 --> 00:34:28,820 Alone. 468 00:34:29,960 --> 00:34:34,120 And thanks anyways for this experience. I really appreciate it. 469 00:34:36,940 --> 00:34:37,940 No problem. 470 00:34:39,659 --> 00:34:40,659 Ciao, baby. 471 00:34:41,199 --> 00:34:43,080 Hey, when you come back, we'll have lunch together. 472 00:34:47,060 --> 00:34:48,060 Yes, 473 00:34:49,580 --> 00:34:50,719 sir. Mr. Sandy. 474 00:34:51,360 --> 00:34:52,360 These are for you. 475 00:34:53,420 --> 00:34:56,940 I'm so glad you're doing it. It's going to be a wonderful trip. 476 00:34:57,980 --> 00:35:02,120 Hawaii, Brazil, Hong Kong, Paris. 477 00:35:03,880 --> 00:35:05,580 Yeah, fantastic. 478 00:35:10,120 --> 00:35:11,720 Stella. Yes? 479 00:35:11,960 --> 00:35:13,380 If you were my wife. Yeah. 480 00:35:14,120 --> 00:35:18,120 And I said I was going to travel all over the world filming beautiful 481 00:35:18,780 --> 00:35:20,300 What would your reaction be? 482 00:35:21,310 --> 00:35:25,910 Well, if she loves you and trusts you, it won't make any difference. 483 00:35:29,890 --> 00:35:30,890 I'd trust you. 484 00:35:31,290 --> 00:35:32,470 I'd love you. 485 00:35:32,710 --> 00:35:37,170 I would hug you. I would kiss you. I'll wait for you and wait for you. Yes, I 486 00:35:37,170 --> 00:35:38,170 will. 487 00:35:38,230 --> 00:35:40,330 I'll run your bath. I'll bring your slippers. 488 00:35:40,990 --> 00:35:42,710 I'll do anything for you. 489 00:36:05,810 --> 00:36:06,810 Stuck up. 490 00:36:06,850 --> 00:36:07,850 Bicycle. 491 00:36:08,430 --> 00:36:09,430 Oh, geez. 492 00:36:11,070 --> 00:36:12,070 Yeah, folks. 493 00:36:12,730 --> 00:36:14,230 You know, she's from France. 494 00:36:16,670 --> 00:36:17,670 Tans. 495 00:36:18,190 --> 00:36:19,870 See, they named the town after her. 496 00:36:20,390 --> 00:36:22,730 My sister's pretty big, too. She's from Brest. 497 00:36:22,950 --> 00:36:24,510 You get it? Tans. Brest. 498 00:36:24,750 --> 00:36:26,050 Oh, it's a sexy show. 499 00:36:27,350 --> 00:36:29,330 Oh, those friends are pretty sexy. 500 00:36:30,070 --> 00:36:31,070 They're not wine. 501 00:36:31,590 --> 00:36:34,470 Bordeaux. They named it after Bridget Bordeaux. 502 00:36:36,010 --> 00:36:38,590 You remember Bridget Bardo? She was normally a stag reel. 503 00:36:51,230 --> 00:36:53,230 Well, I woke up this morning. 504 00:36:55,570 --> 00:36:59,950 I was feeling kind of low. 505 00:37:01,550 --> 00:37:02,550 Oh, no. 506 00:37:02,750 --> 00:37:04,390 Talk about confidence. 507 00:37:05,230 --> 00:37:06,830 I mean, how can he see through those shades? 508 00:37:07,810 --> 00:37:10,850 Looks like an insurance salesman sneaking away from a convention. 509 00:40:21,670 --> 00:40:22,428 Don't go away. 510 00:40:22,430 --> 00:40:24,590 We're going to have a lot of fun. Thanks for being here. 511 00:40:25,370 --> 00:40:28,170 Thank you. 512 00:40:37,250 --> 00:40:38,250 Mr. 513 00:40:44,450 --> 00:40:45,990 Kaplan. Timothy Sandy. 514 00:40:47,010 --> 00:40:49,070 I phoned you this morning. Filmmaker? 515 00:40:49,510 --> 00:40:50,510 Oh, yeah. 516 00:40:51,550 --> 00:40:53,290 that wanted to put all these girls in your movie. 517 00:40:54,570 --> 00:40:59,670 That's right. I wondered... I wanted to talk to them backstage and then come and 518 00:40:59,670 --> 00:41:00,950 film the live show. 519 00:41:02,550 --> 00:41:04,070 Hey, can you use me? 520 00:41:04,510 --> 00:41:06,290 I am part of the show, you know. 521 00:41:07,090 --> 00:41:11,670 You know, I do all the, uh... stick between the girls' changes. 522 00:41:11,890 --> 00:41:12,890 I'm pretty funny. 523 00:41:12,910 --> 00:41:13,970 You catch my next set. 524 00:41:15,510 --> 00:41:19,270 Yeah, uh... But can I go backstage and talk to them now? 525 00:41:19,730 --> 00:41:21,790 Sure, just tell them... I said it's okay. 526 00:41:22,210 --> 00:41:26,650 Listen, I gotta run, but don't forget to catch my next act, okay? 527 00:41:29,370 --> 00:41:29,850 Can 528 00:41:29,850 --> 00:41:36,830 I 529 00:41:36,830 --> 00:41:42,990 come in? 530 00:41:45,710 --> 00:41:47,950 Attaboy, Timmy. Doing it like a real pro. 531 00:41:48,490 --> 00:41:50,510 Confident, quick, cocky. 532 00:41:50,880 --> 00:41:51,880 Just like I taught you. 533 00:41:52,800 --> 00:41:53,800 Captain. 534 00:41:55,080 --> 00:41:56,080 Captain. 535 00:41:57,640 --> 00:41:59,460 Sam, he always comes with those games. 536 00:41:59,700 --> 00:42:02,040 But you see, his grandmother knew for a couple of bucks. 537 00:42:02,460 --> 00:42:03,740 What do you want? 538 00:42:06,440 --> 00:42:09,600 Well, actually, I want to talk. I'm making a film. 539 00:42:10,340 --> 00:42:11,460 Oh, God. 540 00:42:11,720 --> 00:42:15,560 That's what they all take. Hey, honey, you want to be in pictures? 541 00:42:16,190 --> 00:42:19,490 Come over to my place later for a screen test. No, no, I can... Come on. I can 542 00:42:19,490 --> 00:42:25,950 explain. I'm a member of the Academy, and I... Oh, I... You know, I'm a... I'm 543 00:42:25,950 --> 00:42:26,928 fake milk. 544 00:42:26,930 --> 00:42:28,050 Oh, yeah, right. 545 00:42:28,510 --> 00:42:33,370 You look like Cecil B. DeMille. No, actually, he looks more like a rookie 546 00:42:33,370 --> 00:42:34,370 plain clothes. 547 00:42:39,790 --> 00:42:42,490 Hey, let's take his clothes off. Maybe he's still wearing his training dress. 548 00:42:42,810 --> 00:42:43,810 Come on. 549 00:42:43,830 --> 00:42:49,090 I can explain. My name is Tim Sandy, and I'm doing research on a feature film 550 00:42:49,090 --> 00:42:54,950 about girls who work in strip clubs. I'm going all around the world. Oh, take me 551 00:42:54,950 --> 00:42:55,950 with you, big boy. 552 00:42:56,910 --> 00:42:57,910 Come on. 553 00:42:58,890 --> 00:43:02,110 Look, I'd like to help you out, but I'm a working mother. 554 00:43:03,810 --> 00:43:05,830 So I'm going to feed my kids between shows. 555 00:43:06,970 --> 00:43:07,970 Thanks. 556 00:43:08,710 --> 00:43:10,230 Talk to Maureen. She'll help you. 557 00:43:15,750 --> 00:43:19,670 Hey, watch him, Maureen. He looks like a bit of a perv to me. 558 00:43:21,650 --> 00:43:22,650 See you guys. 559 00:43:24,630 --> 00:43:27,070 Well, look, if you're staying, don't just stand there. Make yourself useful. 560 00:43:28,310 --> 00:43:29,249 Hold this. 561 00:43:29,250 --> 00:43:30,109 All right. 562 00:43:30,110 --> 00:43:34,810 Well, yeah, I... So, what would you like to know about us awful girls who expose 563 00:43:34,810 --> 00:43:37,130 ourselves to an audience of strange men? 564 00:43:38,860 --> 00:43:43,820 Excuse me. I was just wondering, I'm trying to look for a theme, and I just 565 00:43:43,820 --> 00:43:50,220 wanted to talk to you a bit about why you did it. I'm kind of at a loss. 566 00:43:50,420 --> 00:43:57,360 I've never... Have you ever been to a strip club before? That's the problem. 567 00:43:58,080 --> 00:44:02,220 I've never been inside a strip joint establishment before. 568 00:44:02,520 --> 00:44:06,180 Because you heard that they're dirty and we're all hookers, right? 569 00:44:06,600 --> 00:44:07,940 No. Well... 570 00:44:08,850 --> 00:44:10,250 Uh, actually, yes. 571 00:44:10,650 --> 00:44:14,630 Yeah. Oh, hey, you know, I know. I was brought up with the same thing. 572 00:44:15,190 --> 00:44:20,870 Uh, well, uh... I mean, take Laura, for instance. 573 00:44:21,110 --> 00:44:24,730 Her husband left her with two kids, no training for a job. 574 00:44:25,150 --> 00:44:27,490 I mean, she's got a nice body. She's proud of it. 575 00:44:27,990 --> 00:44:31,730 You know, she doesn't mind other people enjoying it. It sure beats working the 576 00:44:31,730 --> 00:44:32,730 checkout in a supermarket. 577 00:44:33,770 --> 00:44:34,770 Yeah. 578 00:44:35,690 --> 00:44:41,170 Uh... What about you? I mean, letting a perfect stranger help you undress? 579 00:44:41,470 --> 00:44:44,590 I mean, after a while, you get to know the phonies pretty quick. The first time 580 00:44:44,590 --> 00:44:45,590 was the worst. 581 00:44:45,650 --> 00:44:47,610 After that, it's just me and the music. 582 00:44:49,250 --> 00:44:52,030 Well, what about your friends, you know, like other women? 583 00:44:52,530 --> 00:44:56,990 Who, uh, you know, the liberated ones who don't like to see themselves as sex 584 00:44:56,990 --> 00:44:58,230 objects? Yeah, right. 585 00:44:59,410 --> 00:45:00,410 Women's lib. 586 00:45:00,590 --> 00:45:03,670 Oh, whoa, speaking of cues, I've got to go. 587 00:45:04,710 --> 00:45:05,930 Are you going to come out and catch my act? 588 00:45:06,330 --> 00:45:12,230 uh yeah uh sam asked me to catch his oh sam is awful i bet you can't take more 589 00:45:12,230 --> 00:45:16,030 than two minutes of it anyway it was nice to talk to you thanks very much 590 00:46:17,610 --> 00:46:18,610 Hello, may I help you? 591 00:46:20,830 --> 00:46:21,970 What'd I tell you, Timmy? 592 00:46:22,290 --> 00:46:25,530 Now, there's a couple of benefits to the business right there. 593 00:46:26,650 --> 00:46:28,470 Hello. We're here to see Mr. 594 00:46:28,670 --> 00:46:31,170 Elkin. Oh, please come in. Please come in. 595 00:46:36,530 --> 00:46:37,830 Please hang up your clothes. 596 00:46:51,470 --> 00:46:52,470 All of them. 597 00:46:53,210 --> 00:46:56,710 Uh, no, you don't. You don't understand. We're just here in business. 598 00:46:57,090 --> 00:47:00,330 I'm sorry. No one can come in with clothes on. It's our regulation. 599 00:47:01,990 --> 00:47:03,470 We're only going to be here a few minutes. 600 00:47:04,730 --> 00:47:05,730 No exception. 601 00:47:07,830 --> 00:47:09,470 You see, I have pneumonia. 602 00:47:09,670 --> 00:47:10,670 Ah. 603 00:47:11,510 --> 00:47:12,510 Both of you? 604 00:47:12,550 --> 00:47:13,550 Yeah, double pneumonia. 605 00:47:14,130 --> 00:47:17,390 Yeah, it's, uh, we have to keep warm. It's very warm inside. 606 00:47:20,520 --> 00:47:23,420 Actually, I have a terrible scar, a war wound. 607 00:47:23,640 --> 00:47:25,340 Oh, you should be proud of that. 608 00:47:28,920 --> 00:47:29,920 Actually, 609 00:47:30,180 --> 00:47:32,360 it's a vulgar tattoo. 610 00:47:33,160 --> 00:47:35,060 Oh, come on, you're just bashful. 611 00:47:35,380 --> 00:47:38,240 Come on, take off your clothes. Adam and Eve were naked, right? 612 00:47:39,080 --> 00:47:40,800 But nobody was around for comparison. 613 00:47:42,200 --> 00:47:47,180 I think you two are just afraid to show what nature gave you. Nature can be very 614 00:47:47,180 --> 00:47:48,109 cruel. 615 00:47:48,110 --> 00:47:50,470 clothes off or your interviews off. 616 00:47:52,750 --> 00:47:53,750 Okay, Ralph. 617 00:47:59,490 --> 00:48:00,490 Lovely day. 618 00:48:02,990 --> 00:48:03,990 Okey -doke. 619 00:48:09,010 --> 00:48:10,710 Were you going to answer the door? 620 00:48:12,150 --> 00:48:13,350 Nobody at the door. 621 00:48:22,280 --> 00:48:28,980 Maybe if we just just top maybe no, I'm sorry it has to be everything 622 00:49:02,280 --> 00:49:03,720 Urban cowboy look is everywhere. 623 00:49:04,240 --> 00:49:06,400 God, the West never looked so bad. 624 00:49:07,560 --> 00:49:12,540 How do you do? My name is Timothy Sandy, and this is my assistant, Ralph Parker. 625 00:49:13,260 --> 00:49:19,220 I'm glad you two guys entered into the spirit of things. You know, it's a 626 00:49:19,220 --> 00:49:22,060 embarrassing when you're the only one with clothes on. 627 00:49:23,480 --> 00:49:24,940 Hmm, what can I do for you? 628 00:49:27,020 --> 00:49:30,460 Well, as I said before, on the phone... 629 00:49:30,780 --> 00:49:35,020 I was interested very much in filming the Miss New World pageant, and I 630 00:49:35,020 --> 00:49:39,160 I'd come out just to get some background, maybe talk to the 631 00:49:39,160 --> 00:49:44,240 out a bit about them and why they do it, and maybe do some stills or something 632 00:49:44,240 --> 00:49:47,160 like that. I wondered if you could just help with some background. 633 00:49:47,700 --> 00:49:49,140 Hmm, sure. 634 00:49:49,360 --> 00:49:50,480 The beer packs? 635 00:49:50,780 --> 00:49:53,700 Uh, the naked truth, huh? 636 00:49:56,350 --> 00:50:01,650 Now, the Miss Nude World contest is open to any girl of good moral character. 637 00:50:02,350 --> 00:50:05,910 Girls with bad moral character are banned from the contest. 638 00:50:06,750 --> 00:50:08,850 We invite them down here on weekends. 639 00:50:14,970 --> 00:50:20,610 But seriously, we judge girls simply and honestly on their beauty and 640 00:50:20,610 --> 00:50:25,970 deportment. Miss New World does not have to be able to play the bagpipes or 641 00:50:25,970 --> 00:50:28,830 recite poetry or sing off -key. Just be herself. 642 00:50:30,310 --> 00:50:35,770 Now, the girls do spend a lot of time getting ready, but they are not allowed 643 00:50:35,770 --> 00:50:37,030 use body makeup. 644 00:50:37,850 --> 00:50:41,070 They just use ice cubes for a little pick -me -up. 645 00:50:44,750 --> 00:50:49,750 The first prize is a weekend in Buffalo. The second prize is a whole week in 646 00:50:49,750 --> 00:50:50,750 Buffalo. 647 00:50:56,940 --> 00:50:58,840 The pageant is held annually. 648 00:50:59,120 --> 00:51:01,800 This year it is taking place in Frielton. 649 00:51:03,720 --> 00:51:09,240 The Miss Nude World contest will have a very happy winner before we get to the 650 00:51:09,240 --> 00:51:10,240 end. 651 00:51:29,840 --> 00:51:31,620 And would you like to meet some of the contestants? 652 00:51:34,400 --> 00:51:35,400 We must. 653 00:51:35,640 --> 00:51:36,640 We must. 654 00:51:37,040 --> 00:51:38,040 We must. 655 00:51:38,960 --> 00:51:45,920 Now this is the exercise room right here. 656 00:51:47,100 --> 00:51:52,820 The bigger the better, the tighter the sweater. We must. We must. We must. 657 00:51:54,220 --> 00:51:57,480 What do you do about security here? 658 00:51:58,030 --> 00:52:00,770 Oh, we got nothing to hide in here, Mr. Sandy. 659 00:52:02,190 --> 00:52:03,190 Excuse me. 660 00:52:05,630 --> 00:52:07,010 Do you have a boyfriend? 661 00:52:07,330 --> 00:52:09,010 I did, but we split up. 662 00:52:09,310 --> 00:52:11,470 I think we were seeing too much of each other. 663 00:52:17,710 --> 00:52:20,650 Excuse me. 664 00:52:22,010 --> 00:52:25,770 Why did you join this nudist camp? 665 00:52:26,480 --> 00:52:28,640 Because I like to be seen in all the best places. 666 00:57:16,100 --> 00:57:17,100 Oh, 667 00:57:19,360 --> 00:57:21,460 my goodness. Oh, my. Oh, good heavens. 668 00:57:21,720 --> 00:57:27,580 Oh, my God, look at him move. Oh, Frank, hey, hey, take a look at this. Oh, what 669 00:57:27,580 --> 00:57:29,080 have we here? 670 00:57:29,440 --> 00:57:30,720 One of Timothy's cassettes. 671 00:57:31,339 --> 00:57:32,339 Oh, my God. 672 00:57:32,600 --> 00:57:33,600 Look at him move. 673 00:57:33,800 --> 00:57:37,140 Maybe it was him who needs the stimulation to help get it up these 674 00:57:37,140 --> 00:57:38,140 really think so? 675 00:57:38,380 --> 00:57:40,380 Hey, we found your private collection. 676 00:57:40,620 --> 00:57:42,780 Down in front. Down in front. Come on. 677 00:57:44,140 --> 00:57:45,140 Hey, 678 00:57:45,380 --> 00:57:48,340 I always thought Timothy and Mary Ann were a pretty straight couple. 679 00:57:48,580 --> 00:57:51,140 I don't know. Well, it can get kind of boring in the suburbs, you know. 680 00:58:15,220 --> 00:58:18,880 What on earth is this you're watching? 681 00:58:20,360 --> 00:58:24,920 It's just some research material Timothy is using to do a film on hookers. I 682 00:58:24,920 --> 00:58:25,638 mean, strips. 683 00:58:25,640 --> 00:58:26,880 I haven't heard such a racket in a long time. 684 00:58:40,960 --> 00:58:42,060 I'll get your coats. 685 00:59:01,480 --> 00:59:02,480 Poor dear. 686 00:59:03,240 --> 00:59:04,500 Married to an animal. 687 00:59:07,940 --> 00:59:10,980 If you take my advice, you wouldn't allow him to do this. 688 00:59:11,760 --> 00:59:13,260 You'll lose all your friends. 689 00:59:20,820 --> 00:59:23,020 Imagine not telling you, dear. 690 00:59:23,420 --> 00:59:26,220 Going behind your back like that. 691 00:59:27,260 --> 00:59:28,260 Frank! 692 00:59:51,890 --> 00:59:55,190 Girls can sure be narrow -minded at times. They don't even give you an inch. 693 00:59:55,330 --> 00:59:57,370 Yeah, let alone six and maybe even eight inches. 694 00:59:57,570 --> 01:00:00,730 Come on, Fred, will you, Frank? Listen, Timothy, Timothy, I've got some 695 01:00:00,730 --> 01:00:04,010 penicillin in my pocket. Okay, I'll give it to you. It'll get you through the 696 01:00:04,010 --> 01:00:07,130 film. First sign of discharge or a rash, you take three a day. 697 01:00:07,670 --> 01:00:11,970 It'll get you through. Frank, this is not a sex marathon. 698 01:00:12,250 --> 01:00:13,250 It's a film. 699 01:00:13,470 --> 01:00:16,570 Hey, come on, you sexy old filmmaker, you. 700 01:00:16,830 --> 01:00:17,830 What do I do, Frank? 701 01:00:18,830 --> 01:00:20,110 Take him. You'll need him. 702 01:00:25,160 --> 01:00:27,200 I wouldn't happen to be going to Germany, would you, Timothy? 703 01:00:28,260 --> 01:00:33,020 Uh, yeah, I am going. Hamburg. Why? Really, I just happen to be going to a 704 01:00:33,020 --> 01:00:35,980 convention in Germany at the end of the month. And with your girls and my 705 01:00:35,980 --> 01:00:38,660 expense account, we could have one hell of a good time. Do you see? 706 01:00:39,140 --> 01:00:40,140 Okay? Yes, 707 01:00:41,580 --> 01:00:42,580 dear. 708 01:00:55,530 --> 01:00:56,890 You didn't have the courage to tell me. 709 01:00:58,510 --> 01:01:03,310 You humiliated me in front of all of our friends. How could you do that to me? 710 01:01:03,870 --> 01:01:08,090 Go. Go on your little Sodom and Gomorrah excursion. Don't expect me to be here 711 01:01:08,090 --> 01:01:09,090 when you get back. 712 01:01:36,970 --> 01:01:42,450 Life is a journey, new pages turning, 713 01:01:43,350 --> 01:01:50,090 sweet ridges burning, along the way. 714 01:01:51,530 --> 01:01:57,570 Each day is different, flow with the current. 715 01:01:58,830 --> 01:02:04,930 Life is a present, sent to end all. 716 01:02:10,440 --> 01:02:12,060 way but 717 01:02:57,550 --> 01:03:01,450 me. Enjoy yourself, man. I mean it. I mean it. Really, go for it, man. Spare 718 01:03:01,450 --> 01:03:02,510 expenses, you know? 719 01:03:03,290 --> 01:03:04,570 Make it as cheap as possible. 720 01:04:11,310 --> 01:04:15,130 I figured, send Timmy over to Europe, save money, you know, keep the cost 721 01:04:15,250 --> 01:04:17,590 McDonald's mentality, lunch bag stuff. 722 01:04:18,270 --> 01:04:19,330 Then I get a request. 723 01:04:20,070 --> 01:04:21,550 Send more money, he says. 724 01:04:21,950 --> 01:04:26,090 All of a sudden, he likes the taste of champagne and caviar. He figures maybe I 725 01:04:26,090 --> 01:04:27,090 won the lottery. 726 01:04:27,630 --> 01:04:30,190 Timmy, baby, don't you go Hollywood on me, I'm telling you. 727 01:05:52,750 --> 01:05:55,890 Stella, I said he could rent a Volkswagen from a club owner in Hamburg. 728 01:05:56,110 --> 01:05:58,590 This American Express bill shows he's driving a Mercedes. 729 01:05:58,950 --> 01:06:01,570 Now you get him on the phone. I want him back in that bug. 730 01:06:02,150 --> 01:06:03,550 He's killing me with expense. 731 01:07:35,180 --> 01:07:38,380 In regards, oh regards. 732 01:07:38,980 --> 01:07:42,040 In regards, oh regards. 733 01:08:16,690 --> 01:08:18,870 Stella, baby, get Timmy on the phone, will you, sweetheart? 734 01:08:19,890 --> 01:08:21,689 I don't know, doll. Singapore. 735 01:08:22,050 --> 01:08:23,050 Hong Kong. 736 01:08:23,189 --> 01:08:24,689 Try the holidays, okay? 737 01:12:20,080 --> 01:12:21,300 Bella, send a telegram. 738 01:12:22,080 --> 01:12:24,200 Timmy, send film. No more money. 739 01:12:24,880 --> 01:12:25,880 Period. 740 01:12:27,680 --> 01:12:31,440 Bella, what's this wire? No money, no film. Who the hell sent it? 741 01:12:33,100 --> 01:12:37,900 Bella, send a telegram and make it... Bop, bop, bop, bop! 742 01:14:20,720 --> 01:14:22,500 I started getting some of the film back. 743 01:14:23,160 --> 01:14:25,280 I had to admit, Timmy knew what he was doing. 744 01:14:25,560 --> 01:14:26,900 Some great bodies. 745 01:14:28,000 --> 01:14:32,380 I knew I had a great idea, man. I mean, hell, Timmy should have paid me for the 746 01:14:32,380 --> 01:14:33,380 trip. 747 01:15:01,830 --> 01:15:04,450 Tell her, baby. Call Timmy, please, and tell him to get back to the premier. 748 01:15:45,290 --> 01:15:46,330 Life is appealing, 749 01:15:47,610 --> 01:15:54,290 each day revealing new thoughts and feelings 750 01:15:54,290 --> 01:15:57,830 for you to share. 751 01:16:19,490 --> 01:16:20,349 It's a hit. 752 01:16:20,350 --> 01:16:22,470 Bradley wants you to do a sequel. No way. 753 01:16:23,010 --> 01:16:24,470 Come on, you've got to. Thanks. 754 01:16:24,830 --> 01:16:25,830 He's willing to pay you double. 755 01:16:26,230 --> 01:16:27,530 Thanks very much, Mr. Cochran. 756 01:16:28,050 --> 01:16:29,050 Come on. 757 01:16:29,950 --> 01:16:31,690 Come on, they want you to take a bow. Come on in. 758 01:16:33,110 --> 01:16:34,110 I'm tired. 759 01:16:35,570 --> 01:16:37,150 It's your night. Come on in. 760 01:16:37,830 --> 01:16:41,390 You go and do it. No, no. Come on, they're waiting for you. I'm going to 761 01:16:41,390 --> 01:16:42,390 nice long walk. 762 01:17:40,270 --> 01:17:41,270 Premiere of the film? 763 01:17:48,830 --> 01:17:49,830 No. 764 01:17:50,210 --> 01:17:51,210 I was there. 765 01:17:52,590 --> 01:17:53,590 Champagne. 766 01:17:59,590 --> 01:18:00,590 You were there? 767 01:18:01,190 --> 01:18:03,050 I think it was the best film you've ever made. 768 01:18:04,770 --> 01:18:05,770 Do you really? 769 01:18:26,849 --> 01:18:28,950 Marianne, what are you doing? 770 01:19:19,850 --> 01:19:23,670 Hello. Hi, Timmy, baby. Look, is something wrong with my number, kid? 771 01:19:23,670 --> 01:19:25,030 on. I put you in the business, man. 772 01:19:25,330 --> 01:19:28,310 Come on. You owe us a picture, baby. Anything you want. Yeah, fine. Anything. 773 01:19:28,390 --> 01:19:29,390 You name it. 774 01:19:29,430 --> 01:19:33,430 Your story, if you want. Call it a... I'm a little busy now. 775 01:19:34,330 --> 01:19:39,070 Come on. Just like us. Maybe we could discuss this. 776 01:19:40,490 --> 01:19:43,850 Come on. Don't screw me around, man. I need a film. I got big pressure on me. 777 01:19:43,930 --> 01:19:46,270 You got a deal with no one. I want the paper signed tomorrow. 778 01:19:46,490 --> 01:19:47,490 Right. Yeah. 779 01:19:48,100 --> 01:19:49,460 I'll do it. I'll do it. 780 01:19:50,600 --> 01:19:51,600 Well, 781 01:19:53,520 --> 01:19:56,320 what else can I say? I mean, the rest became history, you know? 782 01:19:56,980 --> 01:19:59,500 Hey, Timmy held me to every word I said that night. 783 01:20:00,100 --> 01:20:04,000 Of course, it wasn't quite what I had in mind, but what can I say? That's show 784 01:20:04,000 --> 01:20:05,640 business. Hey, Timmy, baby. 785 01:20:05,900 --> 01:20:06,960 Hey, I got him started. 786 01:20:07,200 --> 01:20:08,200 I made him a name. 787 01:20:08,300 --> 01:20:12,000 Hope he mentions my name when he wins the award and remembers me when he's big 788 01:20:12,000 --> 01:20:13,540 and famous and working on the coast. 789 01:20:14,160 --> 01:20:15,280 Well, that's show business. 790 01:20:16,240 --> 01:20:17,240 Ciao, babe. 791 01:20:18,090 --> 01:20:22,110 See some feed to Mel and Alfred Hitchcock, too. They all made a mark 792 01:20:22,110 --> 01:20:26,870 what to do. And I'm just like them because in my heart I know I've got a 793 01:20:26,870 --> 01:20:30,610 that'll make a good show. Make it all in good taste. Make it all in good taste. 794 01:20:30,630 --> 01:20:35,090 Make it all in good taste. Make it all in good taste. They say that the flavor 795 01:20:35,090 --> 01:20:40,250 is what you should save. Make it all in good taste. Make it all in good taste. 796 01:20:40,350 --> 01:20:42,670 Get all in good taste. Make it all in good taste. 797 01:20:43,150 --> 01:20:47,030 Well, that sweet little woman believes that her hero will fill the mass. 798 01:20:52,660 --> 01:20:56,580 Make it all a good taste. Make it all a good taste. Make it all a good taste. 799 01:20:56,760 --> 01:20:57,760 Make it all a good taste. 800 01:21:33,420 --> 01:21:37,400 Because every good -looking blonde that you happen upon makes the bells go off 801 01:21:37,400 --> 01:21:38,339 in your head. 802 01:21:38,340 --> 01:21:42,500 And when she says her desire burns like a fire, you've got to talk business 803 01:21:42,500 --> 01:21:44,840 instead. Because you know what they say. 804 01:21:45,120 --> 01:21:48,780 Make it all in good taste. Make it all in good taste. Make it all in good 805 01:21:48,800 --> 01:21:54,580 They say that the flavor is what you should save. Make it all in good taste. 806 01:21:54,700 --> 01:21:58,320 Make it all in good taste. Make it all in good taste. Make it all in good 807 01:21:58,720 --> 01:22:02,460 Oh, the man with ideas is the one with the con who never has. 808 01:22:03,770 --> 01:22:08,450 He talks so sweetly and buys you a pizza and tells you what he wants you to do. 809 01:22:08,510 --> 01:22:09,770 Make it all a good taste. 810 01:22:09,990 --> 01:22:12,250 Make it all a good taste. Make it all a good taste. 811 01:22:12,470 --> 01:22:13,550 Make it all a good taste. 812 01:22:23,890 --> 01:22:28,410 When you talk to the money, you find that it's funny. They all talk culture 813 01:22:28,410 --> 01:22:32,820 class. But when it comes to the dough, these guys say no. If there ain't no 814 01:22:32,820 --> 01:22:33,820 skin, it's a pie. 815 01:22:34,020 --> 01:22:37,720 Make it all in good taste. Make it all in good taste. Make it all in good 816 01:22:37,780 --> 01:22:38,940 Make it all in good taste. 817 01:22:39,420 --> 01:22:45,760 They say that the flavor is all you should save. Make it all in good taste. 818 01:22:45,760 --> 01:22:49,140 it all in good taste. Make it all in good taste. Make it all in good taste. 819 01:22:49,920 --> 01:22:54,240 Some show it for money, some show it for fun, some feel for the feel of the sun. 820 01:22:55,000 --> 01:22:57,460 The nude isn't crude, the wonder is rude. 821 01:23:15,410 --> 01:23:19,170 There's nothing like friends that come and go with the wind, steadfast and 822 01:23:19,170 --> 01:23:20,170 and true. 823 01:23:20,550 --> 01:23:24,730 Raise an eyebrow, and they'll show you how, how quickly they can turn on you. 824 01:23:24,930 --> 01:23:26,210 Make it all in good taste. 825 01:23:30,860 --> 01:23:36,540 They'll say that the flavor is all you should say to make it all in good taste. 826 01:23:36,600 --> 01:23:39,160 Make it all in good taste. Make it all in good taste. 827 01:24:03,250 --> 01:24:05,890 Make it all in good taste.